I produce the shots, and I build the tools and AI workflows that make them. Sixteen years from creature effects and broadcast to agentic AI production on feature film.
Production lead on an AI-driven VFX pipeline for feature film, production technology for a streaming drama, advising the Centre for Creative AI, and building a studio and technology lab of my own.
Running production for a hybrid AI VFX pipeline: bids, vendor award, scheduling and delivery across a multi-vendor team working across several countries in tandem, with final shots delivered through the pipeline into the cut. I also direct motion capture and photo-reference shoots as R&D for the proprietary model.
2026 – PresentProduction technology for the VFX department: cloud storage architecture, secure network access with the studio's content-security team, and the data flow between set, vendors and editorial.
2026A London studio and technology lab working across film, episodic, unscripted, commercial and immersive, with a lab building production tools and AI workflows. Home of my writing, producing and directing.
atomicsinternational.com →Advising on AI implementation and project direction across AI-hybrid film and television production and immersive media platforms.
2026 – Present · creativeai.world →I've worked on the floor, in the department and in the code. Knowing how a shot gets made, what it costs and what can break is what makes the AI and the tools useful rather than a risk.
Agentic and hybrid AI pipelines run with production discipline: scoped, budgeted, tracked and delivered.
Client-side VFX production on high-end series and studio features, from creature shop to final delivery.
Production software built as domain expert and architect, with AI-assisted engineering to ship it quickly.
Built for real productions and for my own studio. Client tools are described without naming the show.
Replaced a manual script for a high-end series VFX team. Sorts vendor deliveries and builds tracking-system upload sheets from metadata in the filenames.
Python · PySide6 · ShotGrid · PyInstallerBatch link creation, health scanning and repair across production storage. Packaged with a content-security report for studio approval.
Electron · React · PySide6 · macOS DMGStorage and access design for a streaming drama's VFX department, with a studio technology proposal and an interim mounted-bucket workflow while it was approved.
AWS FSx for Lustre · S3 · Tailscale · Mountain DuckA private knowledge system. Local models do the routine work, and frontier models cross-check each other on the judgement calls. Content only reaches a frontier model once every label on it is cleared as shareable.
Python · PySide6 · PostgreSQL · llama.cpp · Claude · OpenAIA screenplay development app built around an AI writers' room, with a node graph for story structure borrowed from compositing.
Desktop · Codex · Final Draft workflowGenerative image and video, model fine-tuning and agentic coding tools, chosen and combined per project rather than per trend.
ComfyUI · Kling · Seedance · Magnific · Beeble · Unsloth · Claude Code · CodexBritish South Asian stories, personal and culturally specific, made through my studio Atomics International.
Three generations of women and one ritual, from Sri Lanka to North-West London, carried by the sari.
A group of South Asian friends, a night out that goes sideways, and the masks we wear to fit in.
Made through the BAFTA Connect cohort: a young woman fights for her life against a relentless masked killer.
A Ride Home, writer and director. A real-time two-hander in a London minicab, shooting next.
All films at Atomics International →Client-side credits across HBO, Netflix, Amazon, Lucasfilm, Universal, Warner Bros. and MGM, on BAFTA-winning and Oscar-nominated productions.
| Years | Production | Role | Studio |
|---|---|---|---|
| AI production & production technology | |||
| 2026 – Now | Killing SatoshiFeature film | AI Production Manager | ACME AI & FX |
| 2026 | Young Sherlock (S2)Series | VFX Production Tech Manager | Motive Pictures / Amazon MGM |
| VFX production | |||
| 2025 – 2026 | House of the Dragon (S3)Series · on-set data feeding in-house ML compositing tools | Senior VFX Coordinator | HBO |
| 2025 | The Woman in Cabin 10Feature film | Senior VFX Coordinator | Netflix |
| 2023 – 2025 | The Wheel of Time (S3)Series | Senior VFX Coordinator / Production Tech Manager | Amazon / Sony |
| 2022 – 2023 | The Wheel of Time (S2)Series · on-set data wrangling, Prague | VFX Coordinator | Amazon / Sony |
| 2021 – 2022 | Aquaman and the Lost KingdomFeature film · Eyeline multi-camera capture | VFX Assistant Coordinator / VP Coordinator | Warner Bros. |
| 2020 – 2021 | The PrincessFeature film | Post Producer, The Finish Line | HBO / Lightbox |
| 2019 – 2020 | No Time to DieFeature film | Production Technology Engineer | MGM |
| Creature effects | |||
| 2018 – 2019 | Star Wars: The Rise of SkywalkerFeature film | Creature FX Digital Assets & Video Supervisor | Lucasfilm |
| 2017 – 2018 | Jurassic World: Fallen KingdomFeature film | Creature FX Digital Assets & Video Supervisor | Universal |
| 2017 – 2018 | Solo: A Star Wars StoryFeature film | Creature FX Digital Assets & Video Supervisor | Lucasfilm |
| 2016 – 2017 | Star Wars: The Last JediFeature film | Creature FX Digital Assets Coordinator | Lucasfilm |
| 2015 – 2016 | Rogue One: A Star Wars StoryFeature film | Creature FX Digital Assets Coordinator | Lucasfilm |
| Broadcast & unscripted | |||
| 2019 | World Chase Tag World ChampionshipLive sport · body-cam rigs for competitive freerunners | Associate Producer | Sunset+Vine / Channel 4 |
| 2010 – 2015 | Broadcast televisionIncluding The Olympic Channel and Dynamo: Magician Impossible | Senior Post Technician / Editor / Self-Shooting PD | BBC / Sky / Channel 4 |
Production systems, post, code and the current AI stack, used daily rather than listed for keywords.
Formal training alongside the work, from compositing and colour to computer science and AI.
Advisory Board member, 2026 – present
creativeai.world →Elected member, 2023 – 2026 cohort
Leaders of Tomorrow, 2022 – 2026 cohort
AI production. Production lead for hybrid and generative VFX on features and series.
VFX production. Senior VFX coordination, production technology and on-set data for film, HETV and streaming.
Tools and workflow. Production software, pipelines and AI adoption, through Atomics International.